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French Coastal Scene Dolbadern Castle Oden Recreation by our Gallery Louise Rayner On a Bench on the Champs Elysees -nn02- Oceanview The Shore at Dosseringen -09- The Procuress -detail- wer Study of a Dog St. Francis Receiving the Stigmata dfh BLEKER, Gerrit Claesz Madonna Enthroned with St Lawrence and S Bayharborislands Conrad Witz Erasmus -05- Picture Frame Camera degli Sposi Murrayville Two Young Man at a Column -detail- dfg The Death of the Virgin -detail- Mountain Stream -18- The Road in front of Saint-Simeon Farm i St Charles Borromeo -08- Set Design for The Magic Flute-Starry Sk At the Hanging Rock The Port of Caen Come unto these Yellow Sands Prince Tassilo Rides to Hunting Grevena Yeranos Portrait of a Man kjg The Militia Company of Captain Allaert C Alphonse Daudet and His Daughter -06- Portrait of Henry VIII SG Boats on the Shore of Normandy Interior of a Tavern with Violin Player Sand on the Quayside,Port Marly The Garden Door Fruit
Frank Weston Benson:
(March 24, 1862 - November 15, 1951) was an American Impressionist artist, and a member of the Ten American Painters. Benson was born in Salem, Massachusetts. In 1879, he began study at the School of the Museum of Fine Arts, Boston under Otto Grundmann, and later at the Acad??mie Julian in Paris. Upon return to America, he would become an instructor at the School of the Museum of Fine Arts, Boston. Some of his best known paintings (Eleanor, Museum of Fine Arts, Boston; Summer, Rhode Island School of Design Museum) depict his daughters outdoors at Benson's summer home on the island of North Haven, Maine. He also produced numerous paintings and etchings of wildfowl. Born into a successful merchant family, Benson lived in Salem for most of his life. At the Boston Museum school he befriended Edmund Charles Tarbell and Robert Reid, at the same time teaching drawing classes in Salem and painting landscapes during the summer. In 1883 he began his studies in Paris, and in the summer of 1884 painted at Concarneau, along with Willard Metcalf and Edward Simmons. His early paintings were conventional landscapes.








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