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water based finishes Poitiers Iuka The Hunting Party at Aranjuez Frankton Crucifixion with st dominic -05- HELST, Bartholomeus van der Femmes Dans Son Bain Line of bathers Fra Angelico,Ordination of St Lawrence The Duke and Duchess Morbilli A Colour Sketch for Cimabue-s Celebrated The Finding of Joseph-s Cup in Benjamin- Estespark Madonna with the Blue Diadem The Harvest Wagon Peale, Harriet Cany Mostar FABRITIUS, Carel Design Labelle Fruita Loogootee Christ Carrying the Cross Key West-Hauling Anchor -44- glasses frame Olmsted Around the Fish Madame Ginoux with Gloves and Umbrella Chattanoogavalley The Merry Drinker -detail- Oakville Tirgu Mures James Bard So-called Barber to the Pope -detail- -d Carthage Study of a young woman,half-length,in pr Der Briefbote im Rosenthal Bradbury The Resurrection of Christ jjkk |
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Vladimir Baranov-Rossine:
(1888?C1944) was a Russian-Ukrainian painter, avant-garde artist (Cubo-Futurist), and inventor of Jewish ethnicity
Vladimir Baranov-Rossine was born in Kherson, Ukraine, to parents of Jewish ethnicity.
In 1902 he studied at the School of the Society for the Furthering of the Arts in St. Petersburg. From 1903 to 1907 he attended the Imperial Academy of Arts in St. Petersburg.
In 1908 he exhibited with the group Zveno ("The Link") in Kiev organized by the artist David Burliuk and his brother Wladimir Burliuk.
In 1910 he moved to Paris, wher until 1914 he was a resident in the artist's colony La Ruche together with Alexander Archipenko, Sonia Delaunay-Terk, Nathan Altman and others. He exhibited regularly in Paris after 1911.
He returned to Russia in 1914. In 1916 he had a solo exhibition in Oslo. In 1918 he had exhibits with the union of artists Mir Iskusstva ("World of Art") in Petrograd (St.Petersburg). In the same year he had an exhibition with the group Jewish Society for the Furthering of the Arts in Moscow, together with Nathan Altman, El Lissitzky and David Shterenberg. He participated at the First State Free Art Exhibition in Petrograd in 1919.
In 1922 Baranov-Rossine was the teacher at the Higher Artistic-Technical Workshops (VKhUTEMAS) in Moscow.
In 1924 he had the first presentation of his optophonic piano during a performance at the Bolshoi Theatre in Moscow - a synaesthetic instrument that was capable of creating sounds and coloured lights, patterns and textures simultaneously.
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