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The Card-Players framed art poster Paloalto Mountplymouth Frank Walton Margaret Cecil Countess of Ranelagh -25 The Hunting Party at Aranjuez Grovecity Study of a Dog A Hamadryad The Fields -nn04- The Bath May Emerson The Incredulithy of St Thomas -08- Flowers in a Vase fg Grey Horse in a Landscape dfg Marianne Leaving the Judgment Seat of He Sheaves of Wheat in a Field -nn04- The Luncheon in the Studio Agony in the Garden -detail- sg Alphonse Daudet and his Daughter Crucifixion with the Penitent Magdalene Apollo and Daphne The Sanctuary -25- Wilhelmshaven The Gulf Stream -44- Rosemead Still-Life with Fruit dg Prudhoe Castle,Northumberland -31- Portrait of Dr.Leo Eloesser Joachim Ulrich Giese is China Altha Self Portrait in a Fur Coat Emperor-s Day in Hamburg -nn02- Terrace at vernon Sombor Stdavid Sarah and the Archangel
Edward Wadsworth:
British 1889-1949 Edward Wadsworth Gallery 1949). English painter. He was raised in a northern industrial environment that was to appear with great forcefulness in his Vorticist work. He studied engineering in Munich from 1906 to 1907 and, like many other Vorticists (see VORTICISM), Wadsworth interest in the machine showed itself at an early age. He also studied art at the Knirr School in Munich in his spare time, before attending Bradford School of Art; he then studied through a scholarship at the Slade School of Art (1908-12) in London. Early paintings like Harrogate Corporation Brickworks (1908; untraced) show a growing interest in industrial subjects. Under the impact of the Post-Impressionists, he turned for a while to portraiture, beach scenes and still-lifes. His work was included in the final month of the Second Post-Impressionist Exhibition held at the Grafton Galleries in 1912, and in the summer of the same year he joined the Omega Workshops, although his alliance with Roger Fry was short-lived. Wadsworth new friendship with Wyndham Lewis led to an abrupt departure from Omega in October, when several of his works were included in Frank Rutter Post-Impressionist and Futurist exhibitions at the Doro Gallery in London. His painting L Omnibus (c. 1913; untraced; see 1974 exh. cat., no. 12) announced his involvement with motorized themes that clearly derived from Futurism.








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