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field guide industrial infrastructure la Cottage with Trees -nn04- The Portrait of Physicists Roland amazing scenery The Annunciation A Party of Charlatans in an Italian Land Helios and Phaeton with Saturn and the F Portrait of an Old Man in Period Costume Pervomays'k Still Life with Plaster Cupid -35- The End of the Season Guarda A Shepherdess and her Flock Watercolour The Presentation of Crimean Medals by Qu Portrait de la mere de l artiste Akwan the demon casts the sleeping hero View of Montmartre with Windmills -nn04- Lodi St.Bernard and a Cistercian Monk Arm of the Seine near Giverny in the Fog Frans Pourbus The Nation Makers Holiday -The Picnic- -nn03- Anna Putsch,First Wife of Dr.johannes -4 RUYSCH, Rachel Balakan The Longshoremen-s Noon Totenfeier fur die Hl.Fina Martigny-Ville The Catapult Biefsko-Biala She St James-s Park and the Mall -25- The Waitress The Fall of the Rebellious Angels The Cross on the Mountain Cattle and sheep by a stream in a pastur The Forest Fire Lady in a Brown Robe s The Two Friends
Edward Wadsworth:
British 1889-1949 Edward Wadsworth Gallery 1949). English painter. He was raised in a northern industrial environment that was to appear with great forcefulness in his Vorticist work. He studied engineering in Munich from 1906 to 1907 and, like many other Vorticists (see VORTICISM), Wadsworth interest in the machine showed itself at an early age. He also studied art at the Knirr School in Munich in his spare time, before attending Bradford School of Art; he then studied through a scholarship at the Slade School of Art (1908-12) in London. Early paintings like Harrogate Corporation Brickworks (1908; untraced) show a growing interest in industrial subjects. Under the impact of the Post-Impressionists, he turned for a while to portraiture, beach scenes and still-lifes. His work was included in the final month of the Second Post-Impressionist Exhibition held at the Grafton Galleries in 1912, and in the summer of the same year he joined the Omega Workshops, although his alliance with Roger Fry was short-lived. Wadsworth new friendship with Wyndham Lewis led to an abrupt departure from Omega in October, when several of his works were included in Frank Rutter Post-Impressionist and Futurist exhibitions at the Doro Gallery in London. His painting L Omnibus (c. 1913; untraced; see 1974 exh. cat., no. 12) announced his involvement with motorized themes that clearly derived from Futurism.








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