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The Virgin Appearing to St Philip Neri a Tavern with May Tree -detail- af Gypsy Girl f Lady Violet Henderson Madonna and Child 44 Salacgriva The Virgin with the Green Cushion -05- James Monroe Christ -45- Actors from a French Theatre -Detail- The Soda Fountain St. Agnes Vigo Medford London- the Thames and the City of Londo Star Sonata Allegro Center The Artist and his Family dh The Bridge for the Feast of the Madonna Donnan Vue d-Overshie Ridgemanor Nantucket St.Eligius Alexander defeats Darius,an allegory of water colors Ballet Rehearsal Fisher Girls on the Beach -46- life picasso still Blessed Joseph Hermann g Battle for a Woman Landscape with Poppies -nn02- The City of Paris Conrad Witz genuine Dixon, Maria cock stretched pussy Pippo Spano -25- VERSPRONCK, Jan Cornelisz Holy Family Resting on the Flight to Egy
Dufy Raoul:
Le Havre 1877-Forcalquier 1953 was a French Fauvist painter. He developed a colourful, decorative style that became fashionable for designs for ceramics, textiles and decorative schemes for public buildings. He is noted for scenes of open-air social events. Raoul Dufy was born at Le Havre, in Normandy, one of a family of nine members. He left school at the age of 14 to work in a coffee importing company. In 1895 when he was 18, he started evening classes in art at Le Havre Ecole des Beaux-Arts. He and Othon Friesz, a school friend, studied the works of Eug??ne Boudin in the museum in Le Havre. Raoul Dufy, Regatta at Cowes, (1934), Washington D.C. National Gallery of Art.In 1900, after a year of military service, Raoul won a scholarship enabling him to attend the Ecole Nationale des Beaux-Arts in Paris, where he was a fellow student with Georges Braque. The impressionist landscapists, such as Claude Monet and Camille Pissarro, influenced him. Introduced to Berthe Weill in 1902, she showed his work in her gallery. Henri Matisse's Luxe, Calme et Volupte, which Dufy saw at the Salon des Independants in 1905, was a revelation to the young artist and directed his interest towards Fauvism. Les Fauves (wild beasts) emphasised bright colour and rich bold contours in their work, and Dufy's painting reflects this approach until about 1909, when contact with the work of Paul Cezanne led him to adopt a somewhat subtler technique.








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