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The Marne at La Varenne-St-Hilaire La Ma Paul Troger Siphon bottle and skep monet impressionism Il Penseroso -13- CRESPI, Giovanni Battista The London Bootblack Portrait of a Young Woman -san05- Scenes from the Legend of Saint Augustin Piazza San Marco with the Basilica fg The Death of Sapphira -05- Blind Orion Searching for the Rising Sun The Merry Fiddler The flower Stall Low Tide known as Immensity Andreescu in the Landscape Details of The Mission of St Stephen Herning Beaman Vanitas Still-Life with Musical Instrume The Fountain of Youth Gabrielle d-Estrees and One of he Sister Portrait of Ralph Curtis on the Beach at Guido da Siena Weather Beaten Bacchus -detail- -df01- A wooded river landscape with saint john Abu l Faraj al Isfahani The Portrait of Surgeon Il Canal Grande da campo S Vio -21- On the Outskirs of Paris -nn04- L ESTIN, Jacques de Predella- Marriage of Mary Louis Buvelot The Madonna of the Carnation -detail- sg monet print Laundresses -nn02- Queen Anne's Indian Boy what is
Dufy Raoul:
Le Havre 1877-Forcalquier 1953 was a French Fauvist painter. He developed a colourful, decorative style that became fashionable for designs for ceramics, textiles and decorative schemes for public buildings. He is noted for scenes of open-air social events. Raoul Dufy was born at Le Havre, in Normandy, one of a family of nine members. He left school at the age of 14 to work in a coffee importing company. In 1895 when he was 18, he started evening classes in art at Le Havre Ecole des Beaux-Arts. He and Othon Friesz, a school friend, studied the works of Eug??ne Boudin in the museum in Le Havre. Raoul Dufy, Regatta at Cowes, (1934), Washington D.C. National Gallery of Art.In 1900, after a year of military service, Raoul won a scholarship enabling him to attend the Ecole Nationale des Beaux-Arts in Paris, where he was a fellow student with Georges Braque. The impressionist landscapists, such as Claude Monet and Camille Pissarro, influenced him. Introduced to Berthe Weill in 1902, she showed his work in her gallery. Henri Matisse's Luxe, Calme et Volupte, which Dufy saw at the Salon des Independants in 1905, was a revelation to the young artist and directed his interest towards Fauvism. Les Fauves (wild beasts) emphasised bright colour and rich bold contours in their work, and Dufy's painting reflects this approach until about 1909, when contact with the work of Paul Cezanne led him to adopt a somewhat subtler technique.








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