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Helene Septeuil Vancouver The Portrait of fem John William North,ARA,RWS Kuhn Walt Millport Omaha Romanovce Jean-Auguste Dominique Ingres Museum of Contemporary Art The Lute Player fg Novaci Mirror Lake, Yosemite Valley Village Feast sg Lamentation of Christ Tiger The Rehearsal diploma frame Tower A Dwarf Sitting on the Floor I Algers Hamn -In the harbour of Algiers Last Judgment dfg St Francis Comforted by an Angel The Virgin of Louvain Our Englisth Coasts Christus in der Gloriole mit den Heilige Weed Jan Dirksz Both Indoor Silverlake DYCK, Sir Anthony Van Landscape with Flagpole -09- animal game Study of Brittany Woman Whear Field with Cornflowers -nn04- Akhmeta Earlville Ulysses Deriding Polyphemus Genuese Van Dyck -45- Mary in the Rose Bower
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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