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A Female Saint in Front of a Judge The Sower -nn04- Guadalajara James Gillray Heath Alexander Canterbury Mrs Benjamin Tallmadge Actors from a French Theatre -Detail- Minneola abstract expressionism reading Rogersville The Empire of Flora af abstract art wallpaper The Adoration of the Shepherds Fortsmith Cooler Little Self-portrait sgr An Angel -detail- ewt restored The Haloes Moorefield The Nubian Giraffe Disputation with Simon Magus and Crucifi cs2 landscape nature outdoor photo photo art met Piazza S.Marco verso la basilica,dall-an Fredericia Tabor Aragon jose Rafael The Last Judgement hj Achille-Etna Michallon Dusky Bay,New Zealand,April 1773 spread stretched In Fosset The Entrance to the village Cain The Raising of Drusiana,Cappella Peruzzi The Sense of Vision Stoke-on-Trent Eastpaloalto
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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