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gamekeeper Portrait of a Woman, called The Nun Pickensville Alexander-s Vicory Wounded Wanderer Desplaines Madamoiselle Dobigny Sheep and Sheepherder Altar of St Louis of Toulouse The Blessed Lorenzo Giustiniani Moreau Nameless and Friendless Primavera The Five Seneses Chickaloon Pierre Aymeric -05- Field with mill at Osny The Entrance of a Belvedere -nn04- animal love Mushroom Hunting Olive Grove-Pale Blue Sky -nn04- Self-portrait saq Hillview Berkeley Henry Duke of Cumberland -25- Cesky Krumlov Cariatide rose avec un bord bleu -38- Hopkinspark The Annunciation -05- The Rio dei Mendicanti -detail- effigy mound national monument Study of a Girl in Profile Xanthus Russell Smith Dalycit Coleta magical creature View of Paris from Vincent-s Room in the Sunset,Bar Harbor Sulking Philibert Riviere -05-
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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