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Portrait of Mrs. Hastings Reececity Louvre Museum Gare Last Supper Emeraldlakehills canvas framing Laundresses -nn02- Lute Player awr Portrait of a Lady agf Watermill beside a Woody Lane -25- Cloudy Skies Scenes from the Life of St Francis -Scen Woman at the mirror Warriors and Orientals Adoration of the Lamb -detail- Madonna and Child with SS.Jerome and Fra Oakland Congaz John Christian Schetky Madonna and Child with Two Angels View of Auvers -nn04- Rosehill Cicero John Singer Sargent Roopville Violet Iris Cupid Complaining to Venus Detail of The Healing of Tobit Berkeley Pineridge Limon The Nightwatch -detail- Charles I when Prince of Wales -25- Deas Charles Dahlias Wynnedale Edward Rathbone Bacon Hirtshals Le Divertissement du marabout huile sur
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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