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The Coronation of the Virgin A pastoral scene with shepherds and nymp Stopping at an Inn funny icon Sassnitz The Ex-Voto of 1662 View of London- The Thames from Somerset Four Saints of the Poliptych Quaratesi d The Cheat with the Ace of Diamonds -05- A Bay Hunter and Two Hounds in A Wooded tempera Agony -20- Young Herdsman with Cows fdg Bard, James Still Life with Beer Mug and FRUIT -NN04 Race Horses_a Congerville The Fiddle in front of window Venus - Adonis Humboldthill Self-Portrait -nn04- Abigail Adams Lamentation of Christ Portrait d-homme Portant barbiche -Franc Autumnal Sunset Beatrice Meeting Dante at a Marriage Fea Corinth Enguerrand Quarton Pause for Thought War Don Bartolome Sureda Kotlik Chrysanthemums 111 wood canopy bed frame creature from krab krusty spongebob squa Portrait of a Gentleman Israel in Egypt The Chinese Convert Plunge Punaluu
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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