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Roses A River landscape with ferries and other Lilly mythological creature Altha Portrait of Johannes Wtenbogaert Shortly after the Marriage -08- Details of The Murals at Prato and Spole Court buffoon A Philosopher Lecturing with a Mechanica Marchandage de Poteries a Jaffa -32- Matilda Stoughton de Jaudenes y Nebot Sunlight - Shadow Christ and the Woman of Samaria Still-life fhfg Saint Sebastian and the Holy Women western scenery Taivalkoski Landscape with House in the Grove High Museum of Art Portrait of Frau Reuss dgg Illustration to a Missal sdfg Two Watermills and an open Sluice near S Madonna of the Meadow -detail- ibk Portrait of Pope Pius VII_2 Hercules on the Pyre -05- Parkdale Murrieta William Bell Scott The Artist-s Family before the Portrait Guerilla Warfare The Annunciation,The Visitation,THe Ador Wheat Field With Cypresses Madame Elie replica Italianate Landscape with a River and an Two Women Dancing at the Moulin Rouge Innocent Allies Piero del Pollaiolo Justice -36- Four denizen in Mexico
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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