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Coosada City britney new pantyless photo spear uncens The Artist-s wife and his dog Mariage de Covenance The Virgin and Child -detail- The rape of Ganymede -33- Mystical ascension of the Prophet Muhamm The Apotheosis of St Benedic View from a Window in the Marienstrasse And the Gold of Their Bodies Young Woman Trying on Earrings Venus and Mars -08- Danielson Venus and Cupid Twilight Promenade in a Park Winkelman Miracle of the Desecrated Host -Scene 6- Princess Sophie Troubetskoi, Duchess de Still-Life with Lemon, Oranges and Glass Squirrel wf BELLINI, Jacopo The Four Seasons with the Sun and the Mo Portrait of Pope Clement IX Madonna and Child with St.John as a Chil Portrait of Cardinal de-Medici The Death of Seneca Madame Victor Chocquet master of the Holy Kindred Brest wholesale wood picture frame Guests Departin in Dusky Sunligh The Annunciation syy reproduction stove claude monet impressionism Self Portrait 555 Sunflowers ww Portrait of the Artist-s Mother -34- Moulin Rouge La Massana
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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