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Nature-s Bounty In the Ploughed Field Tamaroa The Fortune Teller -detail- drgdf landscape nature 2 life still abstract reasoning Knin French Woman of Violent Saint-Michel Madonna and Blessing Child Joseph's Bloody Coat Brought to Jacob NOCRET, Jean Kalisz The Comte and chevalier de choiseul as s BASSETTI, Marcantonio Charles Cottet Portrait of der Madame de Stael als Cori London,Parliament Norwich Brayton Sudhureyri Eugene Fromentin Snap the Whip -44- The St Peter s in Rome Madonna Palafrenieri -detail- f King Charles II of Spain St Margaret -08- Madonna Enthrouned with Ten Saints View Across Lake Starnberg to the Benedi home improvement Lion Devouring a Rabbit -05- Graceville Portrait of the Count de Turenne Young Girl with a Falcon Prophetstown age art gardners through wood frame sofa The Turtle Pound -44- Visualize
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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