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To Harvest Huntsman-s leather bag The Mystic Marriage of St Catherine The judgment of solomon Southcoventry The Lincoln Children Somerset Artist and his family Drinking Boy -Taste- Jessie Willcox Smith Georg Friedrich Kersting Savoonga Home Scene Representation at the Theatre des Variet Lovers -09- Portrait of Giovanni Tornabuoni Reading Le Figaro Judenburg Tennessee Mountain Landscape Portrait of a Man fgdfh Writing Box Head of a Peasant Woman with Dard Cap -n Parlier The Emigrants -09- Monsieur Seriziat A lust for home Louis XIV and his Heirs Arkhip Ivanovich Kuindzhi Studio Interior with Casts The Card-Players -09- Study for A Bathing Place at Asnieres The Mocking of Christ -08- The Kingfishe -nn04- The Greasy Pole -La Cucana- Sigismund Christian Hubert framed flower Prince Felipe Prospero -df01- Female nude Rogoznica
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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