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The head of man Market Scene with a Pick-pocket ag Paxton Nightmare s Lublin 1892 1914 abstraction mondrian path Mrs Benjamin Pickman Wheat Fields near Auvers -nn04- Parable of the Lost Drachma dghj Carlo dolci Kennedy Klimt Gustav Lem Picka Portrait of Mademoiselle Riviere. abstraction empathy Bar Room Seated Nude Sherwoodmanor Pieta Caspar David Friedrich Lane in Voyer d-Argenson Park at Asniere ZUCCARELLI Francesco Indian Scouts at Evening -43- Self-Portrait as a Monk Portrait of Madame Henriot Croatia Corcoran Thomas Ralph Spence The Flaying of Marsyas ar Child with Nurse Etude de cinq prunes -40- Mad Woman at the Edge of the Sea Portrait of Enid Hallin The Triumph of St.Hermengild The Glacier of Grindelwald The house in the forest Waikoloavillage Toccoa Mcgehee Male Torso orange abstract
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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