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ZURBARAN Francisco de Lahabraheights Seated Woman Having her Hair Combed Tamaca Palms Domenico Beccafumi Death of the Virgin af Faith, Hope and Charity View of a Port df Portrait of Susan Macdowell Eakins Pecs Judith leyster Moscow Food Landscape with Shepherdess and Shepherd The Miracle of Lactation Christ in the House of Mary and Martha Boulevard Barbes-Rochechouart in de wint The Wedding of Peleus and Thetis The Virgin and Child -attributed to Marm Still-life with Parrot fdg Magdalene Altar Plainfieldvillage impressionism movement period post Kopavogur Annalena Panel -08- The Fable of Diogenes Portrait of the Marchesa Brigide Spinola The Bellelli Family Piet -detail- 1 Reading the Part Garden of Eden The Chapel at the Chateau of Versailles Burgerland White Mountains, New Hampshire Catullus Reading his Poems at Lesbia-s H Abraham van der Hecken Hark The Lark -44- Garden of Delight The Gallery of Hms Callcutta -Portsmouth Splendour of the Grand Tetons Parkcity
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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