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The Champion -22- A Man in oriental costume -33- Miamibeach Springtime ggg Head of a Woman dfs Assumption of the Virgin Broadway Boogie Woogie An Armed Assault on a Convent Benjamin West The oath of the horatii -02- Battle of Trafalgar as Seen from the Miz A meeting Les Peupliers Whiteland Mercier, Philippe Portrait of Henry Ossawa Tanner Apache Shaykh Muhammad Bridle Path, White Mountains St Francis in the Wilderness Leon Indenbaum dollar stretcher Pirgos Venice-The Bridge of Sighs The Ambassadors Return to the English Co Presentation at the Temple -detail- jl Clemons Venus and Mars fg Old Sacristy fd The Banjo Player det Belleplaine Hendrick the Brugghen cd animal Joseph Wright Neptune and Amphitrite BARTOLOMEO VENETO Portrait of a Man Hunters and Dogs Arrival of the English Ambassadors -deta Scene from a Comedy
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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