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A Cottage Girl with Dog and Pitcher Maesta -08- Dequeen Entrance to the Grand Canal- Looking Eas Hillcrestheights Past and Present No 3 The Interrogation Naval Battle Between the United States - Markle Perry The Rape of the Daughters of Leucippus Return of the Prodigal Son A Caprice View with Ruins -25- The Sudio of Schuffenecker or The Schuff Self-Portrait with Masks Dexter Saint Matthem and the Angel -33- Georgia Museum of Art MASTER of the Aix-en-Chapel Altarpiece PESNE, Antoine Mew St. Barbara Nashville Calm df Titus -33- Tho Origin of the Milky Way Banks of the Marne-Charenton- The Alfort Love-s Jewelled Fetter -23- Winter Landscape Tarnow Bradley A Dwarf Sitting on the Floor Newpaper and Fruit dish The Doge on the Bucintoro near the Riva Turkey Portrait of Mme Legois Mcintosh Baby-s Visitors art fine photographer Flaglerbeach
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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