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Salute of the Robe Trade View of the Gulf of Salerno The Knackers Yard David Davies Osborne, William Portrait of Marie-Jeanne Buzeau a frame home Death of Germanicus 1627 Oil on canvas Theophile Alexandre Steinlen frame mirror The Virgin and the Child Before a Fire S Portage The Countess Spencer with her Daughter G Newsalem Lazarevac Le Comte-Duc d-Olivares -df02- display frame Ridolfo Ghirlandaio 1909 St.john the Baptist LACMA Los Angeles County Museum Las Vegas Beer Garden in Munich -nn02- Pierre Mathey The Fountain of Youth Study for the Head of Apollo in The Forg Dunwoody The Post of Woman Hampstead Arcadian Hills canvas framing Daubigny-s Garden -nn04- Portrait of Willem van Heythusen Oxen existentialism Federico zandomeneghi St Ursula sg The Judgment of Paris -05- Gloucester Harbor at Sunrise Peter Denouncing Christ
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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