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SANO di Pietro Girl Seated in a Cemetery Elijah and the Widow-s Son -46- The Limekiln Young Girl with a Flute repair Beaverton Portrait of the Artist -05- Old Farm-Montclair Morseshores Bazille-s Studio 9 rue de la Condamine Frans Snyders Coronation of the Virgin fg Lambertini, Michele di Matteo Reapers Resting in a Wheatfield -18- Reapers Freud Museum London View of San Giovanni dei Battuti at Mura St. Basil-s Cathedral Reapers Mattew Ridley Corbet,ARA The Night Train Rear of House and Backyard Crucifixion Lopate masterpieces Fox cathedral Portrait of Giovanni Arnolfini and His W Walter Shirlaw Kumanovo art digital Isabella and the Pot of Basil Portrait of a Young Girl -08- timber framed building Madonna and Child with Angels The Scullery Maid Italy girl Details of Susanna and the Elders Cheswold
Diego Rivera:
Mexican Social Realist Muralist, 1886-1957,Mexican muralist. After study in Mexico City and Spain, he settled in Paris from 1909 to 1919. He briefly espoused Cubism but abandoned it c. 1917 for a visual language of simplified forms and bold areas of colour. He returned to Mexico in 1921, seeking to create a new national art on revolutionary themes in the wake of the Mexican Revolution. He painted many public murals, the most ambitious of which is in the National Palace (1929 ?C 57). From 1930 to 1934 he worked in the U.S. His mural for New York's Rockefeller Center aroused a storm of controversy and was ultimately destroyed because it contained the figure of Vladimir Ilich Lenin; he later reproduced it at the Palace of Fine Arts in Mexico City. With Jose Clemente Orozco and David Alfaro Siqueiros, Rivera created a revival of fresco painting that became Mexico's most significant contribution to 20th-century art. His large-scale didactic murals contain scenes of Mexican history, culture, and industry, with Indians, peasants, conquistadores, and factory workers drawn as simplified figures in crowded, shallow spaces. Rivera was twice married to Frida Kahlo.








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