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Portrait of a Woman called La Schiavona city scenes Piraievs Venus at Paphos A Horse Frightened by a Lion The Incredulity of St Thomas sg The Martyrdom of St Matthew -detail- f Self-Portrait with Monkeys Portrait of a Young Woman At the Hanging Rock Eugene Boudin Serpa Georg Scholz Still-Life with Fruit Flowers, Glasses Kiprensky, Orest Portrait of the Artist at His Easel gu Poppy Field The Nightmatch -33- The Beaneater Moses rty Self-Portrait with Monkey The Annunciation dg02 The Still life having a small winebottle The Wife of Zebedee Interceding with Chr Church in Marnau Still-Life with Lemon, Oranges and Glass Leda h Bamboccio Portrait of an Old Man with Book g license plate frame Still Life of wine-glasses,a decanter,a Still Life with Balsam Venus and Adonis uj Musical Trio -df01- Waterfall near Ambleside Woman Reading fff Jupiterisland Impresstion Figure A Woman and a Girl Driving The Dance of the Satyrs |
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Rupert Bunny:
Australian Painter, 1864-1947
Australian painter. After studying in Melbourne under G. F. Folingsby (d 1891), he moved to Europe in 1884 and studied in London under P. H. Calderon and in Paris under Jean-Paul Laurens, who introduced him to the Societe des Artistes Francais in 1887. His early works consisted mainly of mythological subjects and graceful images of pleasant Symbolist landscapes; he defected to the New Salon in 1901 and produced some less decorative works, including images of biblical subjects. A long series of paintings of women followed, but his style again changed abruptly when in 1913 he exhibited at the Salon d'Automne a series of images of dancers, The Rite, that shows the influence of Primitivism. Although not attracted to the avant-garde, Bunny showed an adventurous spirit in his unusual sense of colour, sense of rhythm and witty use of his subjects' poses. He continued to live in Paris and London until 1933.
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