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The Adoration of the Magi3 Viransehir Self-Portrait of the Painter with the Co animal Forty Miles to Falmouth Branch Hill Pond,Hampstead Heath with a Madonna della Cesta Abstract Before the Race_k BRUYN, Barthel The Adoration of the Shepherds Skaters on the Moat by the Walls Keithsburg The Sick girl Portrait of a Young Woman Harjumaa Jose Gutierrez De La Vega St Peter Walking on the Water Petrey Sir Galahad Willem Croes -detail- s Christ the Judge Woman Reading Young Boys Playing Dice Valpincon Bather -09- Delavan Three Men at a Table Self-Portrait with a Portrait of his Wif Garden Gate Madonna and Child Enthroned with Angels, Vision of Blessed Alonso Rodriguez A Difficult Duet Rainstorm over the sea art folk The Transfiguration GOES, Hugo van der Henry nelson o neil,A.R.A. The Marriage of The Prince of Wales -25- Scene of War and Fire Serenity
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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