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Rapidscity Head of a Faun in a Concave -roundel- ds Troy Dancer with a Fan portrait of Maria Bockenoolle -33- Young Man with an Apple flower fruit in oil painting sumptuous v Interior of a Mosque 7 effigy mound The nude female near the cat St.Martin and the Beggar Young Girl with a Swan Still Life with Bible -nn04- college diploma frame Self-Portrait with Bonito Zaube lemon life oyster still An Alchemist The Springtime, The Haymaking A Scene from Russian Life The Council of the Gods Portrait of Pieter Bicker Gerritsz. The Allegory of Hercules Recreation by our Gallery USA Something Wrong Somewhere -46- Flower of the Tea The Judgment of Cambyses -right panel- d Pine tree Allegory of Good and Bad Government A Coach and Four Descending a Hill Self-portrait -detail- et Kitzbuhel Monet Painting in his Studio Boat -nn02- Johannes Gumpp Bardejov Portrait of Cardinal Lajos Haynald Two Drafthorses in Front of a Cottage -0 2007 calendar french impressionism Offering the Panal to the Toreador
Aristide Maillol:
1861-1944 Banyuls-sur-Mer,was a French Catalan sculptor and painter. Maillol was born in Banyuls-sur-Mer, Roussillon. He decided at an early age to become a painter, and moved to Paris in 1881 to study art. After several applications, his enrollment in the Ecole des Beaux-Arts was accepted in 1885, and he studied there under Jean-Leon Gerome and Alexandre Cabanel. His early paintings show the influence of his contemporaries Pierre Puvis de Chavannes and Paul Gauguin. Gauguin encouraged his growing interest in decorative art, an interest that led Maillol to take up tapestry design. In 1893 Maillol opened a tapestry workshop in Banyuls, producing works whose high technical and esthetic quality gained him recognition for renewing this art form in France. He began making small terra cotta sculptures in 1895, and within a few years his concentration on sculpture led to the abandonment of his work in tapestry. The subject of nearly all of Maillol's mature work is the naked female body, treated with a classical emphasis on stable forms. The figurative style of his large bronzes is perceived as an important precursor to the greater simplifications of Henry Moore and Alberto Giacometti, and his serene classicism set a standard for European (and American) figure sculpture until the end of World War II. His important public commissions include a 1912 commission for a monument to Cezanne, as well as numerous war memorials commissioned after World War I. He died in Banyuls at the age of eighty-three, in an automobile accident.








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