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Siemiradzki enryk Hector Portlabelle Orvieto Assumption of the Virgin,details with Ev Portrait of Doris Trautman Marquise d- Hervey Saint-Denys Evening in Arcady -13- The Refectory with the Last Supper after A Corner of the Apartment Still-Life int St.Isidoro and the Miracle of the Well Beneath the Snow Evening Tide,California Coast Modern Migration of the Spirit -nn03- The Artist Mother Outskirts of Paris Christ Healing the Blind dfh Merahi Metua No Teha-amana Ola mysterious creature St Sebastian Triptych Three Young Girls Self-Portrait in the Studio The Maja Nude Zwinger Waterway The Goldfinch photo album Sir Thomas Lawrence The Massacre of Chios -09- Autumn on the Hudson River Pervomays'k The Angels of Night -19- A Woman Ironing VOS, Cornelis de Lusavan long island Dahlias Her Eyes are with Her Thoughts Salome with the Head of St John the Bapt Peasant Woman Binding Sheaves -nn04-
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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