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Assumption of the Virgin,detail of the c window frame La Diseuse de bonne aventure Warrior with Shield Bearer Thatched Cottages at Cordeville,at Auver Rainstorm over the sea The Concert The Musicians Infante Don Baltazar Carlos sth The Old Mill Indianharbourbeach The Doctor-s vistit Venus at a Mirror -08- The Nurture of Jupiter sh Isaak Abrhamsz Massa and Beatrix van der The Peacemakers Don Quixote The Assassin Le Belle Dame Sans Merci Alphonse Daudet and His Daughter -06- Portrait of a Girl BALDASSARE ESTENSE Machesneypark Shotgun Hospitality The Little Street st Liberty Leading the People An architectural capriccio with figures Fish wine and fruit The Hermitage at Pontoise Paulus Verschuur The Fall of Simon Magus Still life-Vast with Fourteen Sunflowers The French Comedy how to make a wood picture frame Monsu Bernardo The Worship of Venus The three soldiers Garcon au gilet rouge Washington How Sir Galahad,Sir Bors and Sir Perciva The Little Peasant in Blue
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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