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JORDAN, Esteban Standing Woman in Red -12- Alexei Savrasov Renaissance Interior with Banqueters f Self-Portrait in Fromt of thte Easel -nn The Liver is the Cock-s Comb Portrait of Victorine Meurent Portrait of Henri Edmond Cross Marine Antwerp Gatewary to Flanders Bonnard, Pierre The Refusal from Burns-s Song of -Duncan yahoo photo PROCACCINI, Giulio Cesare Walnutpark Prahova The Tightrope Walker Somerset Vicor Chocquet The Birth of Venus -36- in monet normandy ticket Peasant Family with Animals Monforte Altarpiece -detail- Prince Faridun shotts an arrow at a gaze Liege Madonna and Child Enthroned Still-life with Fishes Madam Pompadour Interior van gogh gallery Necklace With Medallions jew Audience Granted by the Doge dfh Mount Ktaadn Adoration of the Lamb -detail- Mendota Vase of Flowers 8 Nuneham Montgomery Rest on the Flight into Egypt The Sea Seen from the Cliffs
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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