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Chestnut Tree in Blossom -nn04- Leipsic Perspective view Christ Carring the Cross c edmund impressionism painting tarbell Souvenir of Marlow Regatta Old Juniet-s Carriole abstraction lyrique Portrait of Napoleon Bonaparte china oil painting Madonna with the Child gg Cesky Krumlov The Rocky Mountains, Landers Peak Morning William Rush Carving his Allegorical Fig Princess Volkhova-Nadezhda zabela-vrubel The End of the Season Landscape in Leicestershire -46- Old Adobe -42- Pingreegrove Yvette Guilbert Entrance of Port en bessin Hunter Charles Leslie Thrasher The Martyrdom of St Catherine fd framed photo Portrait of a Lady The Adoration of the Magi View of Rooftops and Gardens -nn02- Portrait of Catherine de Montholon art Adoration of the Lamb -detail- The Alchemist The Great Day of His Wirath -nn03- The Box at the Opera Summer Garden Rogue River Gorge -42- The Martydom of St.Sebastian Saint Luke Drawing the Virgin and Child Infante Don Carlos ar The Girl
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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