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La Belle Angele Margrave Winner of the st Leger Chaim Soutine -38- Parnassus or Apollo and the Muses The Visitation -nn03- The Last Judgement -detail- fdg Madonna Enthroned with the Saints q Horses in a Field zg Portrait of the artist -05- The Gallery of HMS Calcutta In Fosset Rain The Dead Christ Mourned Anthony of Padua Reading -05- The Trinity The Triumph of St.Augustine The Ameya or Itinerant Candy Vender Nardo di Cione Ebensee Enigma Bingol Stephens Hippolyte Lazerges La Pia de- Tolomei Street watched from up to down The Beheading of St George -08- game life pc still A View of the Cape of Good Hope,taken on Nahl, Charles Christian An Actor Charles IV as Prince Portrait of Anna - Hanka - Zborowska Theodore Clement Steele Burial of the Wood Bafra Landscape with River and Trees ar Norcross At the Hanging Rock Tilburg Montagnais Indians -Making Canoes- -44- Fidelity
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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