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Pablo de San Leocadio For of Such is the Kingdom of Heaven Elsah Family Group in a Landscape Sophie anderson Queen Victoria with Prince Arthur A fair-haired female nude Austrarian St Sebastian dfg Morning -first version- -09- Spring-East Bergholt Common The Tempest -nn03- Details of Allegory of wisdom and streng The Way to Paradise The Pineapple -35- Lucia Anguissola Portrait of Two Young Men -05- The Supper et La promenade du Poussin -01- Semiramis Receiving Word of the Revolt o Kennedy RYCK, Pieter Cornelisz van Venus and Adonis museum Tobacco and cup Pipes and Brazier The Grand Canal with the Rialto Bridge i The Raft of the Medusa -05- The Death of Seneca -01- The -Eacute-chevins of Paris Praying bef Christ and the Virgin Before God the Fat Bartolome Esteban Murillo The Four Seasons with the Sun and the Mo Agnolo Gaddi Orlandhills The Flood Veronese Waiting for the Start -44- L-Auglais au Moulin-Rouge De Scott Evans
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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