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Portrait of a Painter Willem Croes -detail- s Key West -44- The Good Samaritan -nn04- Fortwhite Parable of the Good Samaritan dfgj Landscape in Summer hg Still life of various flowers in a glass The Birth of Venus Brazilian Landscape Zeus and Io Dalycit Self Portrait bdfhbb birthday gift ZIMMERMANN, Dominikus magnifying mirror Nicolaes ruts Still-Life with Silver Bowl, Glasses, an Evangelist Matthew Leopold Zborowski -38- Crucifixion dgd Rockmart Italy Garrick Between tragedy and comedy Still Life fdhgdfghf The Mystic Marriage of St Catherine of A Boat on a Pond Venus and Cupid Gillette Reception dans un harem turc -32- St. Francis in Ecstasy f Pasorobles Adam and Eve James Ward Roe van gogh the complete painting Storm at sea The Reconciliation of Oberon and Titania Scenes from Malory-s Morte d-Arthur Lady with a Basket of Spindles
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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