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Woman Holding a Balance Execution Without Trial under the Mooris Cows by the Stream The Presentation in the Temple 3456 Judith with the Head of Holofernes The Madonna with the Long Neck The Last Supper The Inspiration of the Poet -05- Woman Washing Hands st Charles de Lafosse Slavonski Brod The Crucifixion of Saint Peter -detail- Xenia Steve Chen encyclopedia written Bust of an old man in a fur cap -33- Carousing Couple Paris Street View of the Garden of the Villa Medici i Portrait of a Man wtt Visit of Frederick Hendriks II to Dordre The Crossing at Nimwegen The Virgin and Child in a Landscape Antibes Seen from the Notre Dame Plateau In Fosset The Hamlet View of the Gulf of Naples -05- Poster Advetising Sterilized Milk Rio dei Mendicanti Fulfilment,pattern for the Stoclet Friez icon love myspace Portstjoe The Last Supper g Jean de Beaumetz Portrait of Anne of Cleves sf FERRARI, Gaudenzio Trnava Ninilchik wood door frame Simone Dei Crocifissi Home by the Lake
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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