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Vividly Painting Pieter Janssens Stag Hunt -05- Details of Geburt Marias Mystical ascension of the Prophet Muhamm Childhood Idyll -26- Tombstone Gondola in the Lagoon dfhg wushipu xiamen fujian Realistic Purple Rose Two Countrywoman white framed mirror A Doubtful Handshake Esther before Ahasuerus Les trs riches heures du Duc de Berry- M Salmon Indianapolis Museum of Art Edward III Crossing the Somme The Mackes- Garden at Bonn Garrick Between tragedy and comedy Allegory of the Court of Isabella d-Este Cabot Oval Compositon A Pineapple and Grapes on a mossy Bank - Artvin feminine from impressionism in modern my Royallakes Boats on the Beach of Saintes-Maries -nn Wild Flowers and Thistles in a Vase -nn0 Rainsville Palmbay Branch Hill Pond Madonna in a Church Opelika Florence View from the Boboli Gardens -0 Interior of a Kitchen -05- Portrait of Bartolomeo Panciatichi Sir thomas more Crucifixion dgg Martin
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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