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Marchande de pigeons egyptienne -32- Portrait of Leonello dEste fgg Le christ et I-ame chretienne -df02- Millington Carl Haag Second Plate Landscape with the Temptation of Christ Colt Chamblee Milledgeville Siloam mythological creature Daydreaming Portrait of a Woman with a Basket of Spi Gulfshores Joseph in Egypt The Presentation in the Temple Seated Woman Dejeuner sur l herbe Meadow in the Garden of Saint-Paul Hospi Prince Bahram i Gor listens to the tale The Aldermen of the City of Paris The Day Dream Napoleon Grandview jinkexin Abstract Figure Les aveugles de jericho Bus Madonna Enthroned with the Child and Two Varna Doraville The Artist-s Son Titus du Buffalo Bulls Fighting in Running Season Eastgalesburg Portrait of a Negress -05- Spring Monsieur Fournaise Lady Writing a Letter with Her Maid ar american bean icon l.l making
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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