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St Luke Painting the Virgin and Child g The Presentation at the Temple -05- Lighthouse Card Players Quarreling Phyllis and Demophoon Battle of Carnival and Lent f Tamara and the Demon The Gulf Stream -44- Nighttime Procession in Piazza San Marco Manon Balletti Portrait of a Lady BORGIANNI, Orazio The Hindu king Dabshalim visits Bidpay t Meriden Two Poplars on a Road through the Hills The Banks of the Seine -nn04- paris hilton britney spears photo Kasimir Malevich picture of winter scenery Morning on the Seine,Clear Weather Jacob Reproaching Laban dfhg Keelman Heaving in Coals by Night The City Hall in Amsterdam Supper at Emmaus -05- photo farme details The Raft of the Medusa -10- Noonday Rest Self Portrait with Bandaged Ear and Pipe Orchard in Blossom,Bordered by Cypresses Mother Roulin with Her Baby -nn04- Crucifix fdbdf Sir William Orpen The Moneylender and His Wife -05- The Gleaners Olive Grove-Pale Blue Sky -nn04- The Grand Canal from Campo S Vio towards abstract art work Matteo Di Pacino Portola THULDEN, Theodor van
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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