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creative framed home memory project scra Rest on the Flight into Egypt The Temptation of St Antony awr Rest on the Flight to Egypt ag injection machine moulding used The Barque of Dante Madonna in Glory and Saints Cohutta St.Eligius Death of Hyacinth Diana Sturt, Lady Milner sg Cool Shadows John Currey Marin Marescalca, Pietro Peridot Landscape with Shepherds and Fishermen Spa Weedpatch The Baby play on the floor Copy after Hans Holbein the Elder-s lost My Grandparent,My Parent and i heel stretcher Portrait of Piero Carnesecchi Saint jerome in an extensive rocky lands Ludwig, Graf Von Langenstein Fishing in the Spring, Pont de Clichy The Primrose Gatherers Still-life with Vegetables s The Room of Flowers -nn03- St James the Major -05- Joseph Anton Koch The Betrothal of the Virgin Mary to Jose Landscape with Ruins The Swooning of Esther sdf Madonna of the Long Neck Daugavpils The Snake Charmer The Valpincon Bather Point Girls on a Bridge |
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James Ensor:
Belgian
1860-1949
Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.
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