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The Veterinarian Dr Reindl in the Arbor spatial design TURCHI, Alessandro Reclining Nude-The Baker- The Rape of the Sabine Women The Rape of the Daughters of Leucippus Divina Tragedia The Baptism of Christ -detail- sg Columbinevalley Johann kupetzky Alsunga Seaport with the embarkation of Saint Ur Caryatid -39- Madonna and Child The Lesson Le vallon -11- THe adoration of the shepherds St Catherine The Italian Woman -39- Leon Indenbaum Portrait of Oswolt Krel The Empress-s Ordeal by Fire in front of abstract landscape Study of Road and church Sleeping Cupid A Woman in Grey Ferry at Glouton James Barenger Self Portrait at Saint Remy The Ocean Landscape at the Unstrut Rene-Hilaire De Gas Joseph Israels The Virgin - Child with Saints George - Still Life 010 The Finding of the Infant Moses -17- Salyan The Conversation Elizabeth at the Piano Woman in Red
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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