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abstract woman Young Woman with a Child Deertrail Tempe The Four Evangelists Washington at Dorchester Heights new england Huachucacity Athens strange creature Apollonia -05- The Baptism of Christ -08- Llyn-y-Cau The Dubourg Family Southelgin Detail from the Saint Nicholas Altarpiec Nicolaes maes Governors of the Wine Merchant-s Guild Gillespie Fruit The anatomy Lesson of Dr Nicolaes tulp - Musikiysky Southsanjosehills Kalowlce BranchvilleBranchville wood crown moulding The Great Fish Market Westpark Carrollwoodvillage Fortwayne Ali She Nawat Jewett, William Smith Comrat Sea Coast,Trouville Natives Drawing Water form a pond with W The Virgin and Child with St Anne ey Still-Life with Cherries and Strawberrie Jacob Blessing the Sons of Joseph coyote stretcher Idylle
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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