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The Annunciation Gravette The Watermill sfr Outward Voyage of the Bucintoro to San N Washington at Dorchester Heights The Return of Judith to Bethulia hgg Louis emile pinel de Grandchamp San Cassiano Altar Jerez de la Frontera Mercury and Herse sg Tombstone Alessandro Longhi Preparation of the Cross -detail- xg Azaleapark monet garden at giverny Foxfield Altarpiece of Jacques de Ba Orestias form china The Presentation in the Temple Beckwith James Carroll Parrot in Three Positions Kosovska Kamenica alex art grey mirror sacred visionary The Annunciation stretched out nude Barn Interior ST Bernard of Clairvaux -05- Rapha Maitre Adamsville A Peasant Dance Baroque Jewish Cemetery Kaltag Woodhull Crucifixion of the Hof Altarpiece sg Portrait of Guillaume Jouvenel des Ursin Fusselscorner Corot Camille Portrait of a Youth with a Medal -36-
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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