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Details of Peasant Wedding Feast Virgin of the Rocks Basket of Flowers Queen Mariana -df01- Le Pont de L-Europe,Gare Saint-Lazare The park of Paris Among the Sierra Nevada Mountains Rocky Landscape wt The Virgin and Child before a Fire-scree graphic landscape Madonna and Blessing Child Laban Searching Jacob-s Bagagge for the Altadena Landscape with Peasants Resting Two Women Asleep in a Punt under the Wil Resurrection Thunderstorm with the Death of Amelia Edesa Recreation by our Gallery The Cliff at Etretat after the Storm Parnassus or Apollo and the Muses -detai fine arts china Melitopol San Ambrogio Altarpiece The Triumph of Death dfh Interrupted -23- The Death of Abel Francesco Furini,Lorenzo the Magnificent Henry IV at the Battle of Ivry Set Design for The Magic Flute-Starry Sk View of the City of Zaragoza Of Animality Clutier PEREDA, Antonio de The Mount House from the Rear GUERCINO Three White Cottages in Saintes-Maries - The Old Pear Tree -46- Corpus Christi Day Iuka
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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