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Boulter-s Lock-Sunday Afternoon Still Life with Flowers and Fruits Pilgrimage to Cythera Landscape with Church and Farms -nn040 Kranjska Gora St.john the Baptist in the Wilderness South dakota art art creative fine flower observation Details of Martyrdom of St.Matthew The Concert Singer The Swan Princess Faust and Marguerite -23- The Abduction of Ganymede Madonna and Child jkj Travelling Cranes,Diving Bell -etc.on th Boys Throwing Pebbles into the River van gogh portrait The Vision of Ezekiel Four Cut Sunflowers -nn04- Girl With Peaches Autoportrait au chevalet The Duet-l Kastamonu Dante and Virgil -Corssing the Lake That Tice Antiochus and Stratonice -04- Jasper theater scenery Pedro Blanes Songstress Still life with Copper Kettle,Jar and Po The Picador Fisher Dead Deer -34- Hagerstown Reclining River Nymph at the Fountain fd Sedcohills Vulcan Suuprises Venus and Mars The Death of Hyacinthus The Seed of David -28-
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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