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Tavernier Constantijn Huygens and his Clerk Birth of the Virgin Summitville Pope Innocent X wet Le Tombeau de Van Spaendonck Madonna del Rosario -detail- fdg The Three Brides Feme of country Youthful age Landscape Jose Aparicio Inglada A Blue Wing St Sebastian FETI, Domenico The Holy Trinity ga Sir Isaac Newton Colonel Samuel Prioleau anime angel abstract paper Portrait of Pablo Picasso The Ambassadors Return to the English Co Mountain Landscape Peasants at the Market Las Meninas.Ausschnitt-Kopf der Infantin Sacreligious Robbery Breton Eve-Melancholy- A View of the Cuttera built by Jaffer Ca The Church at Moret in Morning Sun The Adoration of the Kings Maillol, Aristide The Virgin & Child with a Dove Portrait of Perugino sf St.John the Baptist Preaching quote icon Mountain Glimpse Settignano,September Morning White french Viacheslav Schwarz The still lief having book
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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