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Oliver, Issac Kastellion christian icon The Adoration of the Shepherds Holy Family with St.Anne and the Infant Redding rustic wood picture frame Olympiaheights Visitation -detail- sgh Madeleine in the Bois d-Amour The Briarwood Pipe -44- Madonna of the Magnificat fg Jeanne Kotayk' Mortlake terrace-early summer morning Bend Thivai Details of Peasant Wedding Feast Still Life with Musical Instruments The Church Militant and Triumphant -deta Philip IV Rieti Catskill Landscape La Reflexion oval frames The Virgin and Child Surrounded -05- Towerhill Matthaus Gunther Santi Giovanni e Paolo and the Scuola di Still life with Red Cabbages and Onions Harmony in Green and Rose Portrait of a Young Man -08- Charles and John Vaugh Landscape with a Hut The Evangelist Matthew Inspired by the A The banks of the Oise near Pontoise Bord Arlington The Flight into Egypt cghg Young Peasant Woman with Straw Hat Sitti The Thames at Maidenhead
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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