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Johannes vermeer -30- portrait of Maria Bockenoolle -33- Borgo Maggiore The Confession Radviliskis Indian at Sunset Wing of a Roller Still Life with Bread and Confectionery Brooklyn Bridge View of Chateau Noir The Adoration of the Magi and The Crucif The Gardens of the Villa d-Este May 2,1808,in Madrid The Charge of the M Departure of Duc de Choiseul from the Pi Two Horses er Cocoawest Daubigny-s Garden -nn04- Self Portrait Bareheaded -05- Female nude Bacchus The Martyrdom of Saint Sebastian Teh Battle of San Romano The Dead Christ Watched Over by Angels PLEYDENWURFF, Hans Still Life with Wine Glass and Silver Bo The Annunciation gouache Tight Dalley and a Loose Latigo Portrait of Charles VII of France dg Akhalts'ikhe The Woman with a Fan -05- La Berceuse -nn04- Olive Grove Edward Hicks Gainesville Healylake Degas and Evariste de Valernes-1816-1896 Haverhill Innocent Allies Ulrich apt the Elder
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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