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Three Women in Church Governor Peter Stuyvesant Lakestation The Spy Portrait of Martin Luther Georges Clemenceau Pietro Vannuci called il Perugino Kukes Woman with Book -04- orange abstract Lihue Port Scene with the Departure of Ulysses La Villa Medicis a Rome -deux hommes a l rJesus Falls under the Weight of the Cro Goldenrod Details of the Virgin Annunciat Seated Woman Having her Hair Combed View of Cold Spring and Mount Taurus abo The Church at Varengville,Morning Effect Villagesoforiole calf stretcher Magdeburg Riverview Landscape with Christ and the Magdalen - In the Open -nn02- Cupid and Psyche advertise Couples in the Voyer d-Argenson Park at Coloradocity Still-Life with Fruit Flowers, Glasses The Gallery of Archduke Leopold in Bruss Details of The Death of Hyacinthus The flower Stall The Olive Grove stretched truck Point Lobos Carmel Mme. Eugene Canoville The Madonna with the Bunch of Grapes The Matterhorn the mirror
William Wendt:
1865-1946 Wendt believed there are philosophical, metaphysical, and theological foundations as to why humankind creates Art. Art becomes a sign in itself that points ultimately towards higher realities than the art object or process manifests in and through itself, courtesy of the artist's knowledge and free-will. Art is an adoration symbol that links the reality of the artist's vision and dream-state to the principles that are nature. Wendt decades in front of nature. William Wendt found a California at the close of the 19th century which is now lost forever due to the effects of industrialism, consumerism and population density. Wendt believed nature was a manifestation of God, and he viewed himself as nature's faithful interpreter. Thom Gianetto of Edenhurst Gallery, Los Angeles, is a specialist in William Wendt.








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