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synthetic Hoogeveen Woman with a Dove sdv The Virgin and the Child with Two Saints Mirror Lake, Yosemite Valley Frederick Walker,ARA,RWS A Wayside Louis XIII of France Francois-Joseph Heim Madonna of the Magnificat fg William Ritschel Drycreek Kotlik Jacques Clement Wagrez Madonna with Saints Adoring the Child a The War-Boats of the island of Otaheite Madonna of the Meadow -Madonna del prato Idaho framed world map Prince Charles Edward Stuart -25- Old Woman Frying Eggs -df01- She is CIMA da Conegliano The Racehorse -Mulatto- in A Stall Griffin The Nurture of Bacchus -detail- af still life oil on canvas The Dropsical Woman -05- Peasant Garden at Goisern -nn02- de la van gogh Diana at the Bath-detail- Palmdaleeast Selbstbildnis als Soldat A Cottage Girl with Dog and Pitcher Le Colisee Vue prise des Jardins Farnese Madonna nad Child Enthroned with Two Ang Edouard Vuillard Head of a Man View of the West and North Walls sg The Arch of Titus -25-
William Wendt:
1865-1946 Wendt believed there are philosophical, metaphysical, and theological foundations as to why humankind creates Art. Art becomes a sign in itself that points ultimately towards higher realities than the art object or process manifests in and through itself, courtesy of the artist's knowledge and free-will. Art is an adoration symbol that links the reality of the artist's vision and dream-state to the principles that are nature. Wendt decades in front of nature. William Wendt found a California at the close of the 19th century which is now lost forever due to the effects of industrialism, consumerism and population density. Wendt believed nature was a manifestation of God, and he viewed himself as nature's faithful interpreter. Thom Gianetto of Edenhurst Gallery, Los Angeles, is a specialist in William Wendt.








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