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Village Wildding Halt of the Brigands Lumpkin The Holy Family Lezhe Joseph-s Chastity oak framed garage California landscape The Supper at Emmaus Empress Josephine -09- photograph The Virgin and Child with St Anne -detai Portrait of a Man Holding a Book g Profile of a Woman Vue de Saint-Lo -11- Apocalyptical Christ -detail- dfh Judith and Holofernes Judith and Holofernes The Window towards to City West Rock,new Haven The Lamentation of Christ -08- a first course in abstract algebra plastic Natural Bridge Virginia Gilcrest Karleksnymf-Love nymph- Rio dei Mendicanti -detail- s Christ as a Warrior A Summer Evening Beckemeyer Jihlava Landscape with Three and a House -nn04- Brentwood Stevensvillage The Bean Eater The Reading Lesson Last Supper St Justina with the Unicorn sg The Way we hear it is the way we sing it mirror round
William Wendt:
1865-1946 Wendt believed there are philosophical, metaphysical, and theological foundations as to why humankind creates Art. Art becomes a sign in itself that points ultimately towards higher realities than the art object or process manifests in and through itself, courtesy of the artist's knowledge and free-will. Art is an adoration symbol that links the reality of the artist's vision and dream-state to the principles that are nature. Wendt decades in front of nature. William Wendt found a California at the close of the 19th century which is now lost forever due to the effects of industrialism, consumerism and population density. Wendt believed nature was a manifestation of God, and he viewed himself as nature's faithful interpreter. Thom Gianetto of Edenhurst Gallery, Los Angeles, is a specialist in William Wendt.








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