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Bank of the Oise at Auvers ZUCCHI Jacopo Still-Life with Symbols of the Virgin Ma Portrait of Henry Howard, the Earl of Su Coleman The Interior of the Buurkerk at Utrecht Bathers on the Grass The Opera Singer, Fiodor Shaliapin Details of Peasant Wedding Feast The Man with the Leather Belt Pastoral Landscape -17- The Trinquetaille Bridge St Clare and St Elizabeth of Hungary Melbourne from the south bank of the yar October Gold St.Simon the apostle Coconuts The Lamentation of Christ Tamaca Palms Brazen Serpent Nude Woman Drying her Foot Eve lkioyi Jan van der Heyden Under the Awning -Zarauz- -nn02- Wadsworth Stpetersburg Danae dgh The Lamentation La Donna Velata Stjohnharbor oil on canvas Dinuba Mary Magdalen The Gate within The City walls Parkridge Pierre Pater The Elder Cow-Girl in the Windsor Great Park af Painting of Far-Between The Canal du Loing at Moret A Boy as Pierrot
Frida Kahlo:
1907-54 Mexican painter, b. Coyoacen. As a result of an accident at age 15, Kahlo turned her attention from a medical career to painting. Drawing on her personal experiences, her works are often shocking in their stark portrayal of pain and the harsh lives of women. Fifty-five of her 143 paintings are self-portraits incorporating a personal symbolism complete with graphic anatomical references. She was also influenced by indigenous Mexican culture, aspects of which she portrayed in bright colors, with a mixture of realism and symbolism. Her paintings attracted the attention of the artist Diego Rivera, whom she later married. Although Kahlo's work is sometimes classified as surrealist and she did exhibit several times with European surrealists, she herself disputed the label. Her preoccupation with female themes and the figurative candor with which she expressed them made her something of a feminist cult figure in the last decades of the 20th cent.








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