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The Nightwatch -detail- jean-Baptiste-Simeon Chardin Still Life with Copper Plate and Vegetab Erminia and the basket weavers iconography St John the Evangelist Maryesther Donna Schuster La Danseuse au Bouquet Allegory of the 1577 Peace in the Low Co St Dominic st Medulin The Raven cock huge pain pussy stretched The Rape of the Sabine Women sg rNightfall down the Thames -nn03- MOLENAER, Jan Miense John George Brown Pearl ready made frame wood Rue Saint Denis, 30th June 1878 Portrait of the Artist-s Wife Elisabeth Pretty Mother of the Night-White Otter i Virgin and Child af Diamondsprings The old Tower of Nuenen with a Ploughman Study of a Female Face Louis-Marie Pilet Exotic Landscape Portrait of a Bride er Parksdale Odenville Portrait of the Monk Isaia Piersiceanu Portrait of the Artist-s Father The Holy Family with st Catherine st Seb Lettre avec trois prunes -40- Dam Square, Amsterdam The Grand Canal Venice Sofia Cattle Going to Work-Impression of Morni
Nikolai Roerich:
Russian, 1874-1947 Russian painter, stage designer and founder of cultural institutions. The son of a lawyer of Scandinavian descent, he graduated from the studio of the landscape painter Arkhip Kuindzhi at the Academy of Fine Arts (1897) and from the faculty of law at the University of St Petersburg (1898). He then studied in Paris with the history painter Fernand Cormon (1900). Roerich had wide interests and made an important contribution to Russian culture: he lectured at the Institute of Archaeology (1898); he became secretary of the Society for the Encouragement of the Arts (1901) and director of its school (1906); and he was the first chairman of the World of Art (Rus. Mir Iskusstva) Society (1910). The first volume of his collected cultural writings was published in Moscow in 1914. As a painter he exhibited with the Academy from 1897, WORLD OF ART from 1902, the Vienna Secession c. 1905 and the Salon d'Automne in Paris in 1906. From c. 1903 he was a leading member of the artists' colony at TALASHKINO, where he designed mosaics, friezes, murals and furniture. As a stage designer in Russia, he worked between 1907 and 1915 for such directors as Nikolay Yevreinov (1879-1953),








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