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The English Girl at The Star in Le Havre Natural Bridge Virginia Fanningsprings Eisiskes is stretcher Rough Sea at Etretat Eucharist in a Fruit Wreath Jean-Baptiste Isabey and his Daughter life lighting still A Woman Ironing MASSYS, Quentin effigy mound builder Mariazell Three Women in Church -09- Washington D. C. The Stall-keeper sh Cherryvalley The Madwoman -Manomania of Envy- -09- The Theophany in Christ The Last Judgement -detail- fdg Covasna Greece on the Ruins of Missolonghi Eregli Terror Antiquus -19- St Sebastian Tended by St Irene -05- white wood bed frame Boy with a Lute View of the Merwede before Dordrecht sdg Still life wtih Basket of Apples -nn04- Landscape study,cottage and rainbow The female augur Seymour Joseph Guy The Virgin and Child Surrounded -05- The Voyage of Life-Manhood -13- The Art of Painting -33- KEY, Adriaan Madonna and Child with Stories from the Key West -44- George V 1912 -25- The Madonna of the Carnation -detail- sg
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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