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On the Heights Mars and Venus Discovered by the Gods we Portrait of Lady Mary Guildford sf Annunciation 77 La Trappistine Rovaniemi Moel Siabod from Tyn-y-Coed The Monkeys Winter Dedham from near Gun Hill,Langham Virgin and Child with the Patron Saints abstract background myspace Sycamores and Oaks Manfred and the Witch of the Alps -47- Portrait of the Artist-s Wife Mount Fuji in Clear Weather -nn03- Portrait of a Man with a Medal Countess E.P.Shuvalova Krems Aanekoskr Madonna and Child Wreathed wih Flowers La Belle Nani-Portrait of a Woman- -05- Bergen art humanistic iconology in in renaissan COSTA, Lorenzo Interior of a Farmhouse with Skaters ag Portrait of a Family jg Napoleo on the Battlefield at Eylau The Maison Carree at Nimes Charles de La Rochefoucauld art modern Madonna and Child s Long Branch, New Jersey Wimauma Portrait of a Member of the Balbi Family The Lying in State of St.Bonaventura Eisenstadt The Rest on the Flight into Egypt A Capricious Woman Portrait of Catherine II in the Guise of
James Ensor:
Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.








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