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The Girlhood of Mary Virgin -28- The Martyrdom of St. Bartholomew Self-Portrait Drawing creature from the black lagoon Portrait of Hendrickje Stoffels TINTORETTO, Jacopo Head of a Prophet -Fragment of a Lost Al Wahiawa Lakepocotopaug Queen Anne at the House of Lords -25- Wedding The Beeches Nymphs at the Fountain of Love borders and frame Sofia Bethany Midville Westwood Supper at Emmaus -detail- fdg Venus as Huntress Appears to Aenus Triptych of the Adoration of the Magi fd Wheatfield and Row of Trees Wooden pipe St Jerome in Prayer -detail- ghj Procession of the Magi Still-life with horse chestnuts and inse Robbins Inspiration Joseph Levi -39- Married Couple in a Garden -detail- in monet normandy ticket The Death of Saint Joseph Women in Front of a Cafe, Evening Sainte Famille aux Anges Couturier Henri Moon Fairies II Frances Howard, Countess of Somerset and Ceres The Stone bridge in Rouen,dull weather Arthur Boyd Houghton
Rupert Bunny:
Australian Painter, 1864-1947 Australian painter. After studying in Melbourne under G. F. Folingsby (d 1891), he moved to Europe in 1884 and studied in London under P. H. Calderon and in Paris under Jean-Paul Laurens, who introduced him to the Societe des Artistes Francais in 1887. His early works consisted mainly of mythological subjects and graceful images of pleasant Symbolist landscapes; he defected to the New Salon in 1901 and produced some less decorative works, including images of biblical subjects. A long series of paintings of women followed, but his style again changed abruptly when in 1913 he exhibited at the Salon d'Automne a series of images of dancers, The Rite, that shows the influence of Primitivism. Although not attracted to the avant-garde, Bunny showed an adventurous spirit in his unusual sense of colour, sense of rhythm and witty use of his subjects' poses. He continued to live in Paris and London until 1933.








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