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Portrait of Gerolamo Casio Jean Baptiste van Loo Merz 25 A The Constella-tion -09- The Card-Players -09- Fulfilment,pattern for the Stoclet Friez The Bridge at Nantes Caryville Rebecca at the well flora -33- A Herois Battle -05- The Dead Christ Mourned Gathering the Manna Istanbul Hippolyte Berteaux Triptych of Jan Des Trompes sdf Shannon Glastonbury California landscape Holy Family Christ in the House of Martha and Mary Centerville Lucas Cranach the Elder The Nightmare -22- Portrait of a Young Woman,possibly Mrs.H history of impressionism Venus and Adonis -01- Miel, Jan Harvest Scene The portrait of Isabella Floral Wreath with Madonna and Child Olbia Susanna and the Elders Vase with Lilacs, Daisies & Anemones The Bowden Children Portrait of the Artist Holding a Life St Parrot and Still life seduction The Giudecca Canal with the Zattere dgh Jesus Healing the Blind of Jericho The Pink Candle
Dufy Raoul:
Le Havre 1877-Forcalquier 1953 was a French Fauvist painter. He developed a colourful, decorative style that became fashionable for designs for ceramics, textiles and decorative schemes for public buildings. He is noted for scenes of open-air social events. Raoul Dufy was born at Le Havre, in Normandy, one of a family of nine members. He left school at the age of 14 to work in a coffee importing company. In 1895 when he was 18, he started evening classes in art at Le Havre Ecole des Beaux-Arts. He and Othon Friesz, a school friend, studied the works of Eug??ne Boudin in the museum in Le Havre. Raoul Dufy, Regatta at Cowes, (1934), Washington D.C. National Gallery of Art.In 1900, after a year of military service, Raoul won a scholarship enabling him to attend the Ecole Nationale des Beaux-Arts in Paris, where he was a fellow student with Georges Braque. The impressionist landscapists, such as Claude Monet and Camille Pissarro, influenced him. Introduced to Berthe Weill in 1902, she showed his work in her gallery. Henri Matisse's Luxe, Calme et Volupte, which Dufy saw at the Salon des Independants in 1905, was a revelation to the young artist and directed his interest towards Fauvism. Les Fauves (wild beasts) emphasised bright colour and rich bold contours in their work, and Dufy's painting reflects this approach until about 1909, when contact with the work of Paul Cezanne led him to adopt a somewhat subtler technique.








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