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Gabrielle in a Red Blouse Janjevo Walla Walla van gogh poster Capriccio with Venetian Motifs df Richgrove An old Woman asleep -33- Philadelphia Public Ledger Man-at-Arms ds Sanlurfa Moonlit Night -19- Interior of a Church The Lover Crowned Portrait of the Monk Isaia Piersiceanu Portrait of Jeanne Keeer Cleopatra before Caesar Sacraments Altarpiece A Gypsy Walthourville Bluesprings Agony in the Garden -08- L-artiste Portrait de Marcellin Desbouti St Martin is dubbed a Knight -08- Imisli Mount Kosciusko,seen from the Victorian Madonna and Child with SS.Francis,Charle Nassau Harbor Apples and Oranges Ruma Deerfieldbeach Transfiguration of Christ -detail- 2 chassis Shapes white Torso and Blue Torso-Jazz- Triumph of Death California landscape The fem wearing the scarf Perseus Cutting off the Head of Medusa La Fileuse -41- Mountvernon Old Woman with a Rosary
Dufy Raoul:
Le Havre 1877-Forcalquier 1953 was a French Fauvist painter. He developed a colourful, decorative style that became fashionable for designs for ceramics, textiles and decorative schemes for public buildings. He is noted for scenes of open-air social events. Raoul Dufy was born at Le Havre, in Normandy, one of a family of nine members. He left school at the age of 14 to work in a coffee importing company. In 1895 when he was 18, he started evening classes in art at Le Havre Ecole des Beaux-Arts. He and Othon Friesz, a school friend, studied the works of Eug??ne Boudin in the museum in Le Havre. Raoul Dufy, Regatta at Cowes, (1934), Washington D.C. National Gallery of Art.In 1900, after a year of military service, Raoul won a scholarship enabling him to attend the Ecole Nationale des Beaux-Arts in Paris, where he was a fellow student with Georges Braque. The impressionist landscapists, such as Claude Monet and Camille Pissarro, influenced him. Introduced to Berthe Weill in 1902, she showed his work in her gallery. Henri Matisse's Luxe, Calme et Volupte, which Dufy saw at the Salon des Independants in 1905, was a revelation to the young artist and directed his interest towards Fauvism. Les Fauves (wild beasts) emphasised bright colour and rich bold contours in their work, and Dufy's painting reflects this approach until about 1909, when contact with the work of Paul Cezanne led him to adopt a somewhat subtler technique.








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