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Cyclotron-s shape Madonna and Child with St John and two S Portrait of Maria de-Medici Portrait of a Musician Simontonlake The Annunciation The Saviour Portrait of Countess Daru The Woman and child Pick up the water pa Moweaqua Flatford Mill Apollo and Diana fdg Sokhumi Leith picture who framed roger rabbit The Family of St Anne aer Head of a Stag Thomas Howard,Earl of Arundel -01- The Mystic Marriage of St. Catherine sg A Roman Offering Virgin Annunciate -08- St Jerome and St John the Baptist Brook Market Scene -detail- Still-Life with Partridge and Iron Glove The Raising of the Cross -01- Reform Cleopatra Crown of Thorns Anetta Hanemans In the Dining Room Northsarasota Coalcity Drinking Figures and Crying Children Orazio Gentileschi Granville Redmond View of the Luxembourg,Chopin Monument Parthenon,Athens,from the Northwest portrait Sailboat and Fourth of July Fireworks -4
William Wendt:
1865-1946 Wendt believed there are philosophical, metaphysical, and theological foundations as to why humankind creates Art. Art becomes a sign in itself that points ultimately towards higher realities than the art object or process manifests in and through itself, courtesy of the artist's knowledge and free-will. Art is an adoration symbol that links the reality of the artist's vision and dream-state to the principles that are nature. Wendt decades in front of nature. William Wendt found a California at the close of the 19th century which is now lost forever due to the effects of industrialism, consumerism and population density. Wendt believed nature was a manifestation of God, and he viewed himself as nature's faithful interpreter. Thom Gianetto of Edenhurst Gallery, Los Angeles, is a specialist in William Wendt.








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