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Susanna and the Elders The Adoration of the Shepherds Robert Salmon def jam icon The Toilet of Esther -05- Christ with the Woman Taken in Adultery La Mousme, Sitting Torrance Monterey Sands Last Supper The Bucentaur Departs for the Lido on As Nude of female in wold The Dance of Salome dfg Landscape in Fosset Waterloo The Vegetable Merchant Benton Gurnee Housetop Details of The polish rider The house in yellow of View Self-Portrait with his Wife,Isabella Bra Bishop Bernardo de- Rossi Gelsenkirchen Model,Front View -09- Lamentation over the Dead Christ Bass A Critical Moment A Morning Walk The Ferry Boat dh Celopek Portrait of Jacobus Blauw Brooksville Mr and Mrs William Hallett -The Morning Cotter art fine printing Keswick,Lake Mystical ascension of the Prophet Muhamm Auberry Self Portrait fff Philip IV-g
William Wendt:
1865-1946 Wendt believed there are philosophical, metaphysical, and theological foundations as to why humankind creates Art. Art becomes a sign in itself that points ultimately towards higher realities than the art object or process manifests in and through itself, courtesy of the artist's knowledge and free-will. Art is an adoration symbol that links the reality of the artist's vision and dream-state to the principles that are nature. Wendt decades in front of nature. William Wendt found a California at the close of the 19th century which is now lost forever due to the effects of industrialism, consumerism and population density. Wendt believed nature was a manifestation of God, and he viewed himself as nature's faithful interpreter. Thom Gianetto of Edenhurst Gallery, Los Angeles, is a specialist in William Wendt.








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